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About Optymyse Audio

Built from the player’s side of the signal chain.

Optymyse Audio is the plugin and amplification arm of Optymyse, creating musical tools with character, control and a clear sense of heritage.

Led by a bassist with more than 30 years of live and studio experience—and around a decade behind the drums—the company grew from a simple conviction: great processing should respond like part of the instrument, not feel like something added afterwards.

Decades spent in pubs, clubs, theatres and festivals shaped that perspective. Loud rooms, fast changeovers and imperfect monitoring teach you what matters quickly: authority without blur, detail without brittleness, and controls that make sense when the pressure is on.

The idea

Old-school instinct. Modern control.

The best musical equipment has a way of making decisions feel obvious. It adds weight without blur, edge without fizz, and control without flattening the part. Optymyse Audio exists to put that feeling into focused, reliable tools for current production setups.

01

Built from playing experience

The design starts with what matters under the fingers: attack, note weight, dynamics and the way an instrument sits when the band gets loud.

02

Heritage without museum glass

Classic circuits and rig ideas are treated as starting points, then shaped for recall, automation and modern plugin workflows.

03

Instrument first, mix ready

Every processor is voiced around musical translation and useful control, never generic processing with an instrument label added afterwards.

What we make

Plugins with a player’s bias.

Our first line centres on bass preamp weight, VCA dynamics and parallel rig control: the kind of signal-chain thinking that lets a part be clean, driven, compressed and still alive. Future releases will carry that same philosophy into new instruments and amplification.

We are not trying to make giant do-everything processors. The aim is smaller and harder: tools that sound intentional quickly, survive repeated use, and keep the source honest.

Formats

VST3, CLAP and Darkglass Anagram

Desktop plugins first, with hardware-aware thinking where it makes sense. Clean installs, clear controls and no unnecessary ceremony.

Contact

Talk tone, plugins or odd old rigs.

Questions, early feedback, artist enquiries and compatibility notes are all welcome. If you care about how instruments feel and sound enough to have opinions, you are probably the right person to talk to us.